The Audiovisual Department of the School of Communication and Design is organizing the open series “Film Analysis,” led by Professor Pablo Ferré, which will take place from October 7 to December 9 and is aimed at university students. The main objective of the series is to broaden students’ understanding of cinema and promote film appreciation through discussion and reflection. The films are screened in their entirety, preceded by a brief informative introduction. Following each film, an analytical discussion moderated by the professor takes place.
All screenings take place at 2:00 p.m. in the Auditorium of the School of Communication and Design. The schedule is as follows:
October 7: Donovan’s Reef (John Ford, 1963)
October 14: Rio Lobo (Howard Hawks, 1970)
October 21: Minnie and Moskowitz (John Cassavetes, 1971)
October 28: F for Fake (Orson Welles, 1973)
November 4: The Phantom of Liberty (Luis Buñuel, 1974)
November 11: Chinese Roulette (Rainer Werner Fassbinder, 1976)
November 18: The Shout (Jerzy Skolimowski, 1978)
November 25: Close-Up (Abbas Kiarostami, 1990)
December 2: Aprile (Nanni Moretti, 1998)
December 9: Notre musique (Jean-Luc Godard, 2004)
All screenings take place at 2:00 p.m. in the Auditorium of the School of Communication and Design. The schedule is as follows:
October 7: Donovan’s Reef (John Ford, 1963)
October 14: Rio Lobo (Howard Hawks, 1970)
October 21: Minnie and Moskowitz (John Cassavetes, 1971)
October 28: F for Fake (Orson Welles, 1973)
November 4: The Phantom of Liberty (Luis Buñuel, 1974)
November 11: Chinese Roulette (Rainer Werner Fassbinder, 1976)
November 18: The Shout (Jerzy Skolimowski, 1978)
November 25: Close-Up (Abbas Kiarostami, 1990)
December 2: Aprile (Nanni Moretti, 1998)
December 9: Notre musique (Jean-Luc Godard, 2004)